Solar Eclipse '06 -- Malta, Part I
Our wonderful trip aboard the Sinfonia came to an inevitable close after the trip to Tripoli and a day at sea. We got off the ship early, debarking at Malta a couple of days before the rest of the group. The ship was going on to Salerno, Italy, and ending up back in Genoa, where it all began. I was not too happy about getting off the ship early, but we had to in order to use our frequent flyer tickets to get home. Plus, Frank assured me, "Malta will be fun."
"Malta? What's in Malta?" I asked. "Remember Bimini?" Before we had Alex, Frank and I took a trip a trip to Bimini, which is now at the top of the list of our "Places We Would Not Return to Without A Court Order." The highlights of our trip to Bimini were a case of walking pneumonia, being nearly devoured by sand fleas, and a room over a bar where drunks stayed up until dawn singing along to a song called "Living Next Door To Alice." The song itself was not offensive, but it was the fact that the drunks would all shout, "Alice? Alice? Who the f--- is Alice?" during every chorus. Over and over. Until dawn. I wanted Frank to stab me in the head with an ice pick to get that song out of my brain. I was a hacking, sleep-deprived mess with 10,000 bug bites on my butt. "Bimini" is our code for "bad vacation planning."
"Malta is nothing like Bimini," Frank scoffed. "There are a lot of things to do and see there. A grand cathedral! Megolithic temple ruins! Knights of the Crusades! Medieval castles!" He got Alex to join in the pro-Malta campaign with the bit about knights and castles. "Mommy, I want to see some knights! Maybe there will be dragons there," he stated and re-enacted a knight vs. dragon fight using a chopstick as a sword. If it weren't for The Maltese Falcon I probably would never have heard of Malta. I relented, figuring that paying an additional $3,000 for air tickets or hitchhiking home were not great alternatives.
So, with expectations set slightly below "can't hardly wait" and slightly above "root canal", we left the ship in Malta. We debarked after breakfast and found our luggage sitting at the bottom of the gangplank. Standing on the pier was an attractive woman wearing sunglasses with a sign bearing our name on it. That was Marisa, our tour guide for the day. Frank had pre-arranged with the hotel to book a van and a guide to take us around the island, since we only had a day to spend in Malta and see whatever the island nation had to offer. To me, a guide and a car is usually the optimal way to sightsee with a child or two in tow. You have more flexibility to change your itinerary if the kid is tired and doesn't want to see another museum or tourist attraction. Plus, you don't annoy all the other people on a bus tour who actually want to hear what the guide has to say when your kid is screaming for a juice box. Normally, if you add up the cost of a bus tour for 3-4 people, a guide and a car are not that much more expensive.
Marisa had the driver take us up the steep hillside from the pier and wind through some narrow streets to a lovely garden overlooking the Mediterranean. We could see the Sinfonia and several rooftop gardens from this vantage point. We snapped a few photos, and Alex ran around terrorizing pigeons. Marisa pointed out some local landmarks and gave us an overview of Maltese history. She mentioned that the Maltese language is a unique blend of local dialect, Arabic, Italian, and English. The billboard signs in Maltese looked like Arabic-sounding words spelled out in Roman letters.
From our vantage point in the garden, the panoramic view of Malta and the Mediterranean was spectacular. It was like Monaco, only everything looked a little more comfortable and worn, and seem to be cast in a golden glow in the sunlight. It was like something out of a technicolor movie from the sixties, and I half expected Audrey Hepburn to stroll by with Cary Grant. The vibrant flowers in the garden, coupled with the view of the sea painted a lovely backdrop to start the day.
Despite the beautiful scenery, Alex quickly grew bored and restless and wanted to leave. Then, we saw Ethan and his family trudging up the hill toward the garden. Alex ran to Ethan and threw his arms around him, as if Ethan just returned from a stint in 'Nam and Alex was his new bride awaiting his return. Ethan reciprocated with a big grin. Ethan's cousin said, "Ethan has whined and complained all the way up here. We thought we were going to have to turn back!"
We had planned to move on to the next site on Marisa's list, but she patiently waited for the boys to play a little while longer and eat chocolate-filled donuts from the snack stand. When we were finally ready to go, she said it would be fine for Ethan's family to come with us to the Cathedral. Alex was thrilled to have his running buddy along with him. Marisa told us that she has a son, so she knew how much it meant to Alex to have a friend along. We all walked down the charming little street to the main street of Valletta, and over to the Cathedral of St. John. Marisa was enthusiastic about taking us there, and warned that it might be a bit overwhelming.
We walked down the main street of Valleta, through a crowded shopping area. The street was teeming with people, and Alex wanted to stop at every toy store we passed. Marisa told us that Malta had been used for a number of Hollywood movies, and that this street was featured in a scene from Munich. The wide boulevard was closed to traffic, and had a sort of pan-European feel to it. It could have been a street in London or Paris or Rome. I could definitely see how movie-makers would choose Malta as a stand-in for any number of places.
We arrived at the Cathedral, and were faced with long lines of tour groups from the Sinfonia. Marisa took us to a separate line and bought us tickets without waiting, then to a secret back-way entrance. She spoke to the guards in Maltese and they let us through. It was like being with an A-list celebrity at Studio 54 in the late 70's. There were hundreds of people waiting to get in, and we just sailed passed them. Marisa said, "We don't have enough time to wait in line. They know me here." We decided we loved her. If you ever go to Malta, hire her.
I've been to some nice churches and a cathedral or two, but nothing quite compared to this one. On the outside, the cathedral looks quite simple. The facade does not prepare you for what is inside. The interior is decorated in the "high baroque" style but it could easily be called "high drama." Every inch of it is covered with some ornate carving, fantastic sculpture, or dramatic painting. I'm not sure I have ever been in a place that was more ornate, other than maybe the Pitti Palace in Florence, where they ran out of room for paintings and started hanging them on the ceiling. The most amazing part of the cathedral is the floor. The Cathedral is the final resting place of several hundred Knights of Malta. The floor is a series of inlaid tombstones throughout the cathedral. Each of the tombstones about 3' by 5' and is inlaid with intricate marble mosaics with Latin inscriptions. The panels are all different and say something about the Knight's life and deeds during the Crusades. Some bore a skull and crossbones; others had more human figures on them, a family crest, or a shield. Every room in covered by these mosaics, and they are each unique and intricately formed. It was a little overwhelming to try to see everything in the Cathedral. I think you would need a week just to look at the floor. Something about it reminded me of the AIDS Memorial Quilt. Each panel of the quilt was a different take on a life, what was important or symbolic to that person. Like everything in this cathedral, they were beautiful, dark and a little frightnening at times. I'm not sure I could possibly describe it well enought to give you a sense of how amazing it was--it is something you need to see to believe.
In one of the chapels, there is a replica of Caravaggio's painting Beheading of St. John that was prominently on display behind the altar. The original is in the national museum, but since this cathedral is dedicated to St. John, it seemed to fit here. Alex asked, "Is that Jesus? Why are those people killing him?" It is a violent scene, and not one I wanted Alex to dwell on, but I could not stop looking at John the Baptist's face, the blood on the floor, and the red cloak. I tried "hey look over there, a doggie!" a few times, to distract him, but he was wise to my tricks. I finally told him that it was not Jesus, that the man's name was John the Baptist and that he was killed by a king who didn't like what he had to say. Alex could not take his eyes off the scene in the painting. Marisa came to the rescue and told us we needed to move on in order to make our way to the hotel for check-in. On our way out of the chapel, we ran into Mary Beth from the Kids Club onboard the ship. She was helping with one of the tour groups. Alex ran to her and gave her one last, big hug.
We made our way out of the main part of the church and into the gift shop, where we purchased a couple of Maltese knights and a pencil sharpener that looked like a ship. Alex took the tiny sword from the metal knight he bought and challenged Ethan to a duel, but Ethan didn't want to duel. We walked out onto the sunny street, which seemed a little too bright after the dim lighting of the church. We had to say goodbye to Ethan and his family one last time, and make our way back to the van.
Alex said, "That church was cool." I could not agree more. Malta turned out to be full of wonderful surprises.